Making music with brain waves

Imagine that you have been singing all your life.  You’re not a professional, but you sing with the elementary school students in your fifth-grade class, you conduct a church choir, and you’re good.  You have a nice voice, you can sing in tune and finding the right pitch is never a problem.  Suddenly one day, everything changes.  You can no longer find the correct pitches for a familiar song.  You can hear them in your mind, and you can hear that you are singing not only out of tune, but hitting totally wrong notes – but you can’t fix it.  You’re bewildered about what’s happening, and panic sets in. Continue reading

Executive functions: Why study music, part IIIa

It’s been a long time since my last post and this one is a continuation, so if you’re new to this blog, or if you don’t remember the previous post about the importance of learning a musical instrument for developing executive function skills, you may want to re-read it before continuing here.

Briefly, the three key areas of executive function are inhibition (being able to control attention, behavior, and emotions); working memory (important for critical thinking and reasoning); and cognitive flexibility (seeing things from different perspectives – thinking “outside the box”).  Reasoning, problem solving and planning are all built on these three key areas of executive function.

And adults and children who have studied music have been shown to have stronger executive function skills.  Which brought us to the question at the end of the previous post:  did these children and adults gravitate towards studying music because they already had stronger EF skills, or did studying music promote those skills?  Another researcher may have the answer.

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Executive functions: Why study music, part III

Most of us have more to do than time to do it.  We juggle family and job responsibilities, friends, household management, social media, errands, plus a great deal more.  And for those of us who are musicians, we’re always trying to find practice time at our instrument.   How well we’re able to manage the competing demands in our lives and actually get things done depends on a set of cognitive processes under the umbrella term of executive function.

Good executive function (EF) makes it possible for us to manage ourselves and our resources – to prioritize, stay focused on the task at hand, manage our time, think before acting, be flexible and creative when the unexpected occurs, and maintain some semblance of emotional control when someone challenges us and we may feel like striking back in an inappropriate way.

Good executive function has been found to predict school readiness and success in school at all grade levels, even more than IQ.  And significantly for this series of posts about “why study music,” numerous studies have shown that learning to play a musical instrument and studying music improves executive functioning not only in children but also in adults.   Continue reading

Music and math: Why study music, part II

Math teachers have often noticed that students who are good in math have studied, or are studying, music.  In the past, it was assumed that the kind of discipline necessary to excel in playing a musical instrument would extend to other academic areas, leading to excellence in those areas as well.  But some researchers looked at the math-music relationship and wondered if something other than discipline may be involved.

Since the time of the ancient Greeks, people have been fascinated with the relationship between music and mathematics.  Pythagoras (died 500 B.C.) is considered by some to be the founder of both math and music – famous for his theorum on triangles in mathematics, but also for developing the concept of intervals in music  (link from Physics of Music course, George Gibson, University of Connecticut).

The relationship between math and music has been written about by philosophers, poets, scientists, musicians, mathematicians, and others.  Currently, there are dozens of books in print on the subject, ranging from historical perspectives to explorations of acoustical, theoretical, physical, or analytical relationships.

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Why study music, part I

Albert Einstein, at or near the top of anyone’s list of “greatest scientists of the twentieth century,” revolutionized science with his theory of relativity.  And what did he have to say about this discovery?

The theory of relativity occurred to me by intuition, and music is the driving force behind this intuition.  My parents had me study the violin from the time I was six.  My new discovery is the result of musical perception.*

According to Einstein’s sister, Maja:  “After playing piano, he would get up saying There, now I’ve got it.  Something in the music would guide his thoughts in new and creative directions.”**

And he told one of the founders of Gestalt psychology, Max Wertheimer (who wrote Productive Thinking, one of the classics about the creative process), that he never thought in logical symbols or mathematical equations, but in images, feelings, and even musical architectures.***

It would be difficult to find a more eloquent advocate for the study of music than Einstein.  But all children are not going to be Einsteins, so why study music? Continue reading

A holiday gift that lasts a lifetime

A friend of mine recently asked me to suggest some piano etudes he could give his son for Christmas – something to help improve technique.  His son is an excellent musician – Macro of music score for backgroundwith an advanced degree in oboe from a major music school.  He has recently bought a piano and now wants to become a better pianist.

As I was thinking about composers and music to suggest, I also thought about how many of us take for granted things like music lessons or buying sheet music or scores.  My parents had very little money when I was growing up, but my mother was determined that her children would have piano lessons.  Those early music lessons awakened a lifelong passion for music, which was strengthened by my elementary school music teacher.  Mrs. Clark was a dynamic presence in our daily music classes!  Yes- daily classes.  Music was a regular part of the curriculum, something increasingly rare in elementary schools these days.   She was talented, creative, a visionary, a motivator – she inspired us to want to do our best musically.   And she produced knockout school musical productions that brought the entire community together.  Continue reading